November 17, 2019

Colour photograph of the sun setting in Frederick, MD.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

There really is a fundamental choice between working in colour and working in BW.  One of those points worth considering is how the viewer will interpret the image.  For example, in the photograph above, it is readily apparent that this is light at the extreme of a day-it happens to be a sunset, although it could have been a sunrise.  (This scene, though, is looking west, so that would be a giveaway that this is a sunset.)  The tell-tale colours make the point.  The hues provide a sense of “warmth”, which may then produce a feeling of comfort.

BW photograph of the sun setting in Frederick, MD.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

If, however, you take the same scene, but create a BW image, the visual clue of the colour is eliminated.  The tonal qualities of the clouds could now be signifying incoming weather.  This is a much starker rendition and creates a very different “feel” to the scene.  To me, it is still beautiful, though.  I like the purity that comes with BW.

It is important to know that neither photograph presents the “reality” of the moment.  The colour photograph was made using the Velvia emulation, which produces very saturated colours-they were not quite this rich.  The BW version was made using the Acros emulation with a green filter to darken the clouds a bit.  Most see in colour, so a BW photograph automatically changes the perception of the viewer.  The focal length used also provided a narrower field of view than would the human eye.  In both cases, to avoid over-exposing the sky, the foreground elements were allowed to record as deep shadows/silhouettes-the eye has a much broader dynamic range and could therefore present much greater detail in those darker areas.  I am fine with the silhouettes.  There are a number of techniques that could be used to hold detail in both the sky and the foreground, but I do not like to do so.  These images are more dramatic.

At this point in my career, I tend to immediately think about the BW version of any scene.  My cameras are configured to align with that preference.  Therefore, it takes a conscious effort to make the changes necessary to create a colour image.  (Sometimes, I neglect to do so as it does not occur to me.)  That is one of the advantages of shooting digital-one camera provides all of the options.  When shooting film, I often carried two bodies-one with colour slide film (Velvia, when photographing the natural world), and one with BW film (usually, TMAX 100).  That system was useful, but sometimes created a problem with the lens I wanted being paired with the film I didn’t.

It is helpful for the photographer to have a clear intent in mind for the final image.  That may, or may not, include the interpretations of the view.

Take care.


November 8, 2019

BW photograph of a snow squall looking into the rising sun.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

Awoke to a 34 degree morning that had followed some rain yesterday.  Therefore, it was damp and a bit chilly.  As if on cue, a snow squall blew in.

Photographer’s note:  The lighter dots in the above photograph are the reverse of what specks of dust on a sensor would look like.  As such, they can be quite an annoyance and are one reason to be careful when changing lenses in the wild.  In this photograph, though, those spots are snowflakes, which have been dodged a little to be more visible (Dodging is a darkroom technique to lighten content.  Burning is the opposite-that is used to darken content.).  Interestingly, if you change the seasons and swap the sun for the moon, then the snowflakes could be fireflies.

BW photograph of some downed leaves against a log with a light dusting of the first snow of the season.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

This was the first snow for the area and created quite a peaceful scene.  I like when there is a blending of the icons that mark the transitions between seasons.

BW photograph of a downed tree with rocks and leaves in the foreground.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

BW photograph of a downed tree leading into some brush.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

There was ample evidence, though, of the damage wrought by the wind storms that had blown though the area in the not too distant past.

Perhaps all of this is a foreshadowing of the winter yet to come.

Time will tell.

Take care.

More Blue

November 3, 2019

BW photograph of several brick structures.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

The cold front that moved into the area made for a nicely sunny, but bracing, morning.  It was a good day for a walk.

BW photograph of a newly renovated building.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

The two photographs here are more examples of the use of a red filter to darken blue skies.  Having white buildings creates strong contrast while the direct sun forms well-defined shadows; both of which produce a full ranges of tones that make for pleasing BW photography.

Take care.


August 25, 2019

BW photograph of Devil's Den on a clear morning.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

The other night’s thunderstorm cleared the humidity and knocked down the temperatures-nice conditions to be outside.  The above photograph is of Devil’s Den, which is on the Gettysburg battlefield.  This was the composition I had in mind on the drive there-the rock formations appear as giant stepping stones leading from the lower left to the upper right, which pulls the eye across the frame.  The lichen on the rocks contrasts nicely with the middle tones of the rock and the darkness of the sky (which was created by using the red filter in the Acros film simulation and a polarizer), and serve as a leading line that also crosses the frame.  The morning sun was high enough to showcase the textures, but not direct enough to wash them away.  Absolutely perfect conditions for this photo-that is one reason to pay attention to weather forecasts and climatic conditions.  This scene would look very different with a uniformly overcast, grayish, sky.  Most importantly, it would not have yielded the desired image.

BW photograph looking down a bridge span on a foggy morning.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

Aside from the obvious difference in subject matter in these two photos, the ambient conditions are also quite different.  This photograph was made the morning after the one above, and was created prior to the sun clearing the trees.  It was cool and foggy, so the light was quite soft-the relative absence of clearly defined shadows is indicative of this, as is the whitish sky in the distance.  The converging lines are what pulls the eye through this photo and conveys a sense of distance.  This is a fairly pedestrian (meaning that this is a common angle) image, but one that I like nonetheless.

BW photograph of a section of bridge highlighting the rivet work.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

A detail image of the same bridge highlighting the rail and diagonal span.  In one sense, the diagonal movement is the opposite of that of the eye when reading English-that is, it leads the eye from the right to the left and so introduces just a bit of tension to the image.  It is also possible, though, to view that same line as moving on a downward diagonal from the left to the right-this restores a sense of balance.  It is important to note that some cultures read right to left, which reverses the points being made here.  Adding in the flat railing introduces another dimension.  When making the photograph, I saw the flat railing as leading the eye from left to right (that “reading” point again) across the bottom of the frame, with the span then making a sharp upward movement back to the left and out of the frame.  This, too, can be reversed.  The downward diagonal to the right, then flat across the frame to the left.  In any case, the vertical tension wires close the frame at the left, essentially creating a triangle.  A third option is to view both the diagonal and the horizontal as meeting at a point to the lower right.  It can be interesting to pay attention to the initial response created by the mind’s eye when viewing a photograph.  Should the image lend itself, it is worth forcing the brain to take a different look.  From a compositional standpoint, the photographer does well to consider the manner by which to engage the viewer-is there to be a focus (literally and figuratively) on one point in a photograph, or is the viewer encouraged to roam through the entirety of the scene?  Both have their applications-the photographer has to decide.

Finally, there are no people in these photographs.  That, too, was by design.  In fact, I had to wait in the making of the lead photo for some visitors to clear the area.  Frequent readers (thank you very much!) will have taken notice that the images presented are most often characterized by that lack of personage.  This is one reason for arising early and getting to where I want to go-folks tend to sleep later.  I like the emotional impact of that absence-it can be possible to interject feelings as disparate as loneliness or solitude depending on the current disposition of the viewer.  Again, what is included or excluded is up to the photographer.

Choices must be made.  This is part of what separates photographs from snapshots-not that there is anything wrong with the latter.

Take care.

Out of the Rabbit Hole

August 19, 2019

BW photograph of a bowl of fresh peaches.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

In the previous post, I mentioned “going down the rabbit hole“.  I usually attach a negative connotation to that phrase-it is for situations over which there is little or no felt control.  One of the ways I deal with that feeling, as a means of regaining control and perspective if you will, is to take a road trip, often in search of roadside or farmer’s markets. The sensory stimulations of fresh produce are rejuvenating to the spirit.

Colour photograph of a bowl of fresh peaches.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

As with sunrises and sunsets, sometimes it is helpful to also use the colour version of the file.  The BW version, arguably, gives the viewer a bit more about which to think.

Take care.


August 17, 2019

BW photograph of a section of running water showing the turbulence.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

One media resource that I find to be a useful compilation/analysis of the week’s events is the NPR 1A “Friday News Roundup”, which devotes one hour to U.S. issues and one to the global scene.  The following links are for the week of August 12, 2019:  Domestic and International.

Condensing the amount of current turmoil gives one pause.  The division and hostility between peoples and between humans and the environment paints a bleak picture of the state of humanity.  One of the themes that runs through this week’s stories is the characterization of what it means to be an “American” and how we project that meaning to the rest of the world.  This is encapsulated in the statements made by Ken Cuccinelli, the acting director of U.S. Citizenship and Immigration Services.  Please be sure to read through that entire link or listen to the report.  At one point, acting director Cuccinelli states: “No one has a right to become an American who isn’t born here as an American.” It is important to note the current administration’s effort to eliminate birthright citizenship-a position acting director Cuccinelli has supported.

America was, literally and figuratively, built on immigration.  We also have a long history of racism.  Nationalism is also not a new concept.  However, unless one has a 100% indigenous ancestry, then at some point those born elsewhere factor into one’s family history.  It is also vitally important to keep in mind how the U.S. government ended up treating indigenous peoples.

BW photograph a single leaf with holes laying atop a large boulder.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

This was also a week that brought further threats to those species already existing on the margins in the form of changes to the Endangered Species Act.  This link highlights the significance of the language being used and the impact of that language with regard to the protections offered (or not).  Despite progress in genetic engineering, extinction still means forever.

BW photograph of a log laying in front of a large rock.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

Focusing on those two issues here is not to be seen as a dismissal of the other issues discussed in this week’s “Friday News Roundup”.  There are certainly other issues of concern not addressed in today’s program.  They do, though, place a square focus on how we envision America.  More importantly, they highlight the operationalization of what it means to be an American.  The 2020 election will help decide that.  However, 2020 is still quite a ways off and much can happen between now and then.  Indeed, listen to those 1A discussions and clarify your positions with regard to the topics.  Do the requisite research so as to become more familiar with the complexities of the issues.  One real problem is engaging short-term thinking and egocentrism for the decision making process.

Once something is gone, it is gone.

A confession:  Due to my age and life experiences, I can go down the rabbit hole when thinking about issues that are important to me.  I also only write about issues that are important to me. I certainly know that some do prefer to not be inundated by such content-I, too, need to turn it off now and then.  It is also clear that not everyone will agree with the points of view expressed here.  What I do hope, though, is that folks will take notice and think about the content.  One can only decide how one feels if they are aware of the issues.  Once those thoughts and feelings become clear, then courses of action can be developed.

For me, that sums up the evolution of this blog.  I knew from the start that I did not want this to be another gear-driven blog:  I am not that into gear.  I also did not want it to be a cascade of “pretty” pictures-there are tons of blogs and other media for that.

To tie in the photographs, when I find myself with something to say, I go in search of an image to create that illustrates or serves as a metaphor for the thoughts and feelings in the written material.  For example, the photograph that leads off this post is one of rushing water.  I was thinking about the “Friday News Roundup” and so used a shutter speed that was fast enough to give some “edge” to the water, but slow enough to also suggest the pace of the flow.  Many times, these types of images are made with a very slow shutter speed so as to completely smooth out the water-there are many examples of that technique in other posts within this blog.  Doing that, to me, suggests a sense of serenity, that all is comfortable and well and peaceful.  That is not what I wanted to convey here as I view the current news cycle as one that is quite edgy and moves at such a pace that it is difficult to keep up.  The issues keep coming, blow past, and can leave one with a sense of accumulated fatigue.  At other times, I create an image and then need to think of written content that will compliment the visuals.

Together, it is the interaction between the written and the visual that spurs my creative process.

Thank you for taking the time to read this.

Take care.


July 26, 2019

BW photograph of a trail through the woods in the early morn.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

Lines provide a sense of direction, a sense of movement from here to there.  The lighter portion of the boot-worn trail indicates a path through the woods.  This is clearly human in origin.

BW photograph of a line of quartz running through a larger rock.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

Lines can also serve as a point of contrast-the lighter streaks of quartz make a nice compliment to the darker boulder-this is a fundamental element of all B&W photography, regardless of the subject matter.  Nature provided this delineation.

Bw photograph of several broken branches around a living pine tree.

Copyright 2019 Kevin P. Mick Photography. All rights reserved.

Putting both of those concepts together produces the illusion of movement to a (very) still image.  Allowing the eyes to wander and trace the lighter elements in the above photo is one way to encourage a viewing of the entire image.  Nature has a way of rendering elegant chaos.

Nature also has a means of rendering a different version of contrast.  Looking around the above image reveals a lot of dead, decomposing, organic matter.  The tree to the right however, remains straight and true.

Take care.